Thursday, December 24, 2009

Letter To Franchise A Brand

Merry Christmas to all!

Nativity, painted wood panel Lorenzo Costa (circa 1490)

Sunday, December 20, 2009

North Face Aconagua Vs. Nuptse

Say YES to life as seen by a young Canadian woman of 12 years

Thursday, October 8, 2009

Proper Way To Wear A Thong

Boy who was your Master?

Song sung by Mestre Bimba on his CD "capoeira regional"
The Quadra consists of a long song sung text only then followed by an intervention of the choir songs can be confused with ladainha and Chula.
What will differentiate a quadratic chula will be the tenor of the chorus in the chula, the chorus will be close to that of a corrido with repetitive effect "question / answer" the refrain goes, so that the quadratic be in the form of praise ..
What will differentiate a Quadra ladainha will be the tone of songs and when it will be sung. In capoeira angola
, initiates the ladainha Rodas is sung and the tone of a litany. Mestre Waldemar
can sing quadras among his CD when it does not sing corridos, which could imply that the quadratic is an alternative to the corrido or chula in Capoeira Angola. Mestre Bimba
uses the Quadra as the song that introduces Rodas de Capoeira Regional before giving way to corridos, leaving entrendre the Quadra is probably the equivalent of ladainha in capoeira Regional and will be used to open Rodas before leaving the room for Corridos.

IE quem faith teu Mestre
Menino quem seu Mestre faith? Mestre
faith Salomão,
Discipulo that APRENDE, often I give the master lesson
The master who taught me the ingenuity of Conception
To him I owe money, health and liability
Secret of St. Cosme, but perhaps it's San Damiano
Comrade,
Water for drinking water of Tthe
drinking buddy!
and Aruanda
Tthe Aruandê Camara!

Tthe buddy buddy Camara!
going at school, we
Tthe school Camara!
to learn to read
Tthe Camara learn to read!
?? Tthe head
.... Camara head!
knife Bridge
Tthe knife bridge Camara!
know stick
Tthe Camara sticking know!
want to kill me
Tthe Camara wants to kill me!
living God of Heaven
Tthe living God of Heaven Camara!
live my master
Tthe Camara live my Master!
yeh who taught me
wanderer who taught me Camara!
ai Malandragem
ee Malandragem Camara!
Iê around the world! Tthe
Camara Around the World!


Traduction the boy, who was your Master?
"Jeune homme who was your Master? "

IE who was your Master,
young man who was your Master?
My Master was Solomon (King of Israel that is why the seal of Mestre Bimba has a 6 pointed star , although not related to the Hebrew faith, the symbol probably has a mystical significance)
(I am) Discipleship learner, I am the Lord who gives lesson
In Mestre, who taught me at the Mill (district) Conception
I owe Money, Health and thanks,
Secret Saint Côme but he knows what is Damian,
Comrade
Brandy
EE brandy camarada!
e aruandé
EE Aruandé Camara!
Camaradinha
EE Camaradinha Camara!
go to school,
EE Comrade go to school!
to learn to read
EE learn to read Comrade!
?? cabeceiro
EE .... cabeceiro Camara!
knife sharp pointed knife
EE Comrade!
known plant
connected issuer knows planting Comrade!
wants to kill me
Comrade EE wants to kill me! Viva
the God of Heaven
EE live the God of Heaven Comrade!
viva my Master
EE live my Master Comrade!
IE who taught me
EE taught me Comrade!
the Finesse
EE The fineness Comrade!
IE on a world tour!
ee The world tour Comrade!


To listen to the song, click here:


Wednesday, June 17, 2009

How Long Does It Take To Get An Std Result

La Vim Da Bahia to see

a song performed by the instructor Faisca school Capoeira Me Leva / Nanterre.
The song that can not sing that habituellement le refrain est un classique de Rodas de Capoeira. Chula
Une agréable et nostalgique Thurs retrace tout le chemin le that Capoeira (et les capoeiristas) ont fait travers le monde pour the arriver between the mains, dans pays us.
The chanter sur les Rythmes de Angola or Regional.

Vim da Bahia la
I came to see you in la Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it I came

la Came from Bahia
you see it I came from Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it


Tava it on top of the stream
In Bahia, the land is of axé
My mom is a great valet
My father taught us the coffee harvesting basilicum

I came I came her from Bahia to see it
Vim da Bahia
I came to see you la Bahia to see it to
Watch him to see it
to see it to see it


raft came to Rio in January
In the land of Salome and St.
Dei pro fisherman a good blood Blessing
pro Capoeira came here so you see it

Vim from Bahia to see it
Vim da Bahia
I came to see you la Bahia
to see it to see it to see it
to see it to see it


Arrival at Rio de Janeiro
earth with genial climate brought
reminder for you
a conga drum and a tambourine and a berimbau also Tross

I came I came from Bahia to see it
I came from Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it


To Bahia da Guanabara
Facing the Christ Redeemer
gave me the hunger I ate sugar Pao
Went to Barra da Tijuca just to see my love I came

Vim la Bahia
I came to see you in la Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it


To see it, to see you, to see you , to see you, to see you
To see it, pra lhe ver, pra lhe ver, pra lhe ver, pra lhe ver ...


Translation Vim da Bahia The LHe Pra Ver:

I came here from Bahia to see you



I came here from Bahia to see you
I am here for you to Bahia
see I came here from Bahia to see you
to catch you to see
to catch you to see, I came ..

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see


J 'props on the set of Ribeaira
in Bahia, the land Focused filled
My mother is a great washer
and my father taught us the coffee harvest, I came ...

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see


A boat went to Rio de Janeiro Earth
Salome and St. Como
I gave a blessing to the seaman,
the capoeira of Bahia that has come to see you, I came ...

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see


Arrive in Rio De Janeiro,
Earth where the climate is fantastic
I've brought back a souvenir atabaque and a pandeiro,
I've also brought a berimbau, I came ...

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see


stop on Guanabara Bay opposite
of Christ Redeemer
hunger I ate the sugar loaf (famous hill in Rio de Janeiro) had come fome me dei o Pao de Acucar
I went to Barra da Tijuca, just to see my love, I came

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to see you
to see you to catch you to see


to see you, for you see, you see, you see, you see
to see you, for you see, you see, you see, see you ...


To listen to the song, click here:

The Song Zack And Cody Wrote

Mandel Benzer

A rare thing done by the Mestre Axé Capoeira Grupo Barrao of Recife, to songs from her album as a music video. For
curious tourists, the clip was filmed entirely in Pernambuco recife which is the capital and the buildings shown are the church of Nossa Senhora da Conceicao in Vila Velha (Old Town), on the island of Itamarica in the state of Pernambuco at the foot of the second oldest church in Brazil and the Sao Bento Monastery located on the heights of Olinda in Pernambuco.
The song tells the story of a capoeirista which the steel wire of the berimbau (Aramis) keeps breaking whenever the gun and hat.
Superstitions between capoeiristas suggest that the string breaks when the energy that surrounds the Berimbau est mauvaise. Ainsi le
Capoeirista mild son au sein d'une berimbau AFIN qu'il soit Béni chapelle et le berimbau Protège et son utilisateur de toute forme bad or mauvais oeil. Une chanson très
évocatrice, dont un sur le ton Enjou Sao Bento big apporter un bon Regional Axé.

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,
Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,


Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel, I played my


berimbau, when the wire broke and was a sign
bad thing plus I do not want to believe,
every time I touched the berimau, the wire back to break. I took my
berimbau, a chapel to be blessed, and ask for St. Benedict came to protect me from evil, sent ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,


Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,


Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,
Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,


i asked St. Benedict, blessed

i asked Benedict,
save
i asked Benedict,

bless my berimbau I'll play ...


Traduction of Benzer Mandel:

J'ai envoy bénir

J'ai bénir envoy, envoy bénir
J'ai mon Berimbau dans une chapelle, et je l'ai
envoy ...

J'ai bénir envoy, envoy bénir
J'ai mon Berimbau dans une chapelle,

et je l'ai
envoy ...

J'ai bénir envoy, envoy bénir
J'ai mon Berimbau dans une chapelle


Je touch Berimbau when my wire broke
Aram was the signal of bad things (to come, but I did not believe it every time I
a toque berimbau, the Aram broke again so I
took my Berimbau in a chapel to bless him, and ask to St. Benedict to come protect me from evil,
and I sent it ... I sent

bless, bless
I sent my Berimbau in a chapel


and I sent it ... I sent

bless, bless my
I sent in a chapel Berimbau


I sent bless I sent my
bless Berimbau in a chapel,
and I sent it ...

I sent bless, bless my
I sent in a chapel Berimbau


I asked Saint Benedict, Blessing of

I asked Saint Benedict,
of (I ) Keep
I asked Saint Benedict, Blessing of

O Berimbau I knocking my ...


To view the clip, click here:

Steam Washer Worth It?

Wind scale sugarcane in Canavial

A song Written by Abada Capoeira Caixas Group, whose rhythm evokes nostalgia and pain experienced by slaves in Brazil, despite a sound rudimentary, there is a perceived atabaque very présentqui just the soufffrance rhythm of this song we listen as a lament. A toque
Benguela Abada style is best suited for this kind of song, even if it meant the end of a passage on a Sao Bento Grande da Regional.
Obviously a large Sao Bento de Angola clocked is not excluded for this kind of song.

Vento that rocked Canadian No Canavial

Vento that has rocked Canadian No Canavial
Wind that shakes his cane at sugarcane

On the balcony of the big house
Colonel
rested on the network and the Negro in the cane fields
suffered from hunger and thirst


Wind that shakes his cane at sugarcane
Wind that shakes the cane reed


In the chapel of the farm would pray
Sinhazinha
draped income
kneeling at the altar


Wind that shakes his cane at sugarcane
Wind that shakes his cane at sugarcane


Foreman
awoke at dawn in A family of despair

slaves had escaped from captivity


Wind that shakes his cane at sugarcane
Wind that shakes his cane at sugarcane


Sinhozinho the yard
mistreat Ere
The slave in the kitchen
regretted doing nothing


Wind that shakes his cane at sugarcane
Wind that shakes his cane at sugarcane



Traduction Wind that shakes his cane in the cane fields:


Thurs Le vent la balance dans le champ de canne canne à sucre



Et le vent Thurs swing la canne dans le champ de canne à sucre
Et le vent la canne Thurs balance dans le champ de canne à sucre

Au balcon de la maison principale, le patron is
reposait in his hammock
while the Negro in his field of sugar cane,

And the wind that swings the cane in the field of sugarcane
And the wind that swings the cane in the field of sugarcane


In the chapel of the property,
the boss's daughter went to pray,
covered with a coat of lace
kneeling at the foot of the altar

And the wind that swings the cane into the cane field sugar
And the wind that swings the cane in the field of sugarcane


the cons MASTER
Dawn awoke from despair
a family of slaves fled their
cell

And the wind that swings the cane in the field of sugarcane
And the wind that swings the cane in the field of sugarcane

The son of the patron in the place of worship (worship of slaves Orixas )
abused a child (EE is the figure of an African religious orixa child)
A slave in the kitchen
complained of having nothing to do

And the wind that swings the cane in the field of sugarcane
And the wind that swings the cane in the field of sugarcane


To listen to the song, click here:


Thursday, April 23, 2009

Pattern For Backpack Dora The Explorer

Sing the joy of serving God

Tuesday, April 21, 2009

Kidney Infection Work

Who would dare say that Bishop Fort is right? On Friday

Yet we can say: Yes! The risk of condom failure have been identified and scientifically proven! I give you a text about this Alain Toulza which has the merit to say aloud what we do not even have a low

"AIDS. The vaccine of the truth," that I work 'I published in 1995 under the pseudonym Thomas Montfort has produced irrefutable evidence of the lie associations and the official rate of reliability of condoms. It brought together a unique amount of medical evidence, scientific investigations and technical information from various sources and high-level, the most important were carefully hidden from public authorities. In particular:
  • A study of the University of Texas Medical Branch . Performed by eleven teams under the supervision of Professor Susan Weller and called Meta-analysis of condom effectiveness in reducing sexual transmission of HIV, indicating an overall efficiency of 69% One year 100 reports a year (in Soc.Sc.Med., Vol.36, No. 12, pp.1635-1664, 1993).
  • editorial The New England Journal of Medicine 11.8.1994 (Vol. 331 No. 6, p.391), which reported on the work of the International Conference on AIDS in Yokohama (August 1994). It validated the synthesis study by Professor Susan Weller then, about a survey European Centre for the Epidemiological Monitoring Committee (EESC) AIDS (in fact, a team from the National Hospital of Saint Maurice) investigator-initiated French Minister of Health, he expressed the common feeling that "The sample of [persons followed] was not large enough to rule out a transmission in a higher rate of 1.5% person-years among regular users of condoms. "
    What, already lying in a burst, political power had wanted to believe through a dependent structure was severely stigmatized in an international scientific free from any pressure. Note that, in Yokohama rapporteur of the EESC's work, the doctor Isabelle de Vincenzi concluded, in the journal Biofutur June 1994: "The safe sex (safe sex) excludes any type of penetration, with or without condoms, with the exception of relationships between uninfected partners and faithful ... Any type of sexual penetration with HIV positive or of unknown HIV status has a potential risk ... prevention messages to give objective, if only implicitly, to achieve zero risk does not correspond to any reality or psychological or social or epidemiology. "
  • The revelations of the head of the Polymer Properties Section Naval Reserch Laboratory in the USA, CM Roland : "The area of condoms appears as a surface covered with craters with a diameter of 15 microns and a depth of 30 microns. Even worse, in the optical transmission virus, we found channel 5 microns in diameter, which pass through the wall from side to side. In other words, this means that there are passages that establish a communication link between the interior and outside of the condom and whose diameter is fifty times higher than the HIV virus. "

Other studies cited corroborate these truths. But already in 1995 at the height of the campaign to promote condom use, it was unforgivable to express a viewpoint contrary to official pronouncements on the subject, and anyone who ventured were violently attacked and labeled a criminal. Yet, on the occasion of an action brought by the State Council coordination of associations (CID) against its circular dated April 15, 1996 on AIDS prevention in schools, François Bayrou, former Minister of Education, informed the complainants of the content of scientific evidence that showed my book on the dangerously limited reliability of condoms has totally avoided the debate. The government - the first health minister, Douste-Blazy - was careful to cite the work in court or even to challenge publicly the contents. The author had expected, at least, a flock of green wood from the official authorities concerned put in issue namely, associations and so-called prevention. It did not happen and the press orders, largely awarded copies of the book, for its part, surrounded this issue from a devastating wall of silence. "AIDS. The vaccine of the truth" was broadcast as part of a third edition, 5,000 copies to the bishops of Africa Francophone 1996.Aujourd 'hui, this book has not aged. It has even been reinforced largely by a more formal document, the Guide priority interventions WHO published April 3, 2009. This Guide "... provides technical information on a range of topics, from how to expand condom programming to the latest standards and treatment guidelines." In paragraph 1.2.1.1 entitled Promoting and supporting condom use (p. 16) it is written that "The correct and consistent use of condoms reduces the risk of sexual transmission of HIV by 80-90%." If the use is "correct and consistent" means that that risk comes from "material" used ! In fact, research undertaken for ten years to improve the manufacture of condoms have still not resulted in eliminating smaller (but too large) microholes . Otherwise, the whole world would have been informed in large media uproar.

Alain Toulza is president of the collective Yes Family, and the author of two excellent books published by Editions politically incorrect FX de Guibert, which is available from the Association Dad, Mom and We , 24 rue Louis Blanc, 75010 Paris.Sida. The vaccine of truth (121 pages): 15 € including shipping. Brave New World Sex (345 pages): 25 € including shipping. The two volumes: 35 €, shipping included.

Friday, April 10, 2009

Where To Buy Morton Tender Quick



Patches After Teeth Whitening

altar


nightfall kept the memory of the beautiful sunny day. The air was mild, the sky cleared. Many people in the streets but few among the employed population seemed imbued with the spirit which ought to permeate the atmosphere and make our actions and our actions more measured, learned our words and our eyes close as veiled by the passion of our Lord. That was the day Jesus washed the feet of his disciples. Holy Thursday. In all churches of the world, tabernacles are empty. This gaping hole in the heart of our temples is also a huge wound in our hearts ... So I crossed the city to go to St. Paul, Dominican convent where the altar was open to the adoration of the faithful until midnight. In the dimly lit nave, fifty people had stayed after Mass to hear the text read by the brethren. In a side chapel was erected the altar, a magnificent canopy of red cloth decorated with gold braid, the altar full of white flowers and foliage, with two beautiful garlands of lilies and greenery, candles and two angels on each side of the altar, ruddy. The impression of entering the atmosphere full of glory and piety of the painters of the seventeenth century ... The beauty immediate, visible, desired by the brothers, this atmosphere is added special places of prayer, the night when, lying in the middle of the city, in the world, they seem to capture a different energy and yet part of their environment. Not out of the world, but him and beyond him. The sielnce, the little light, perfumes, all combine to make this course feel peace and serenity. We prayed, each with its words, attitudes until midnight. Some were kneeling, others forehead against the floor, others on benches, in chairs. Something strong, like every year spread among us and rose, filling places like the swirls of incense spread in the nave at the offices. He was there in that little closet of marble and copper, surrounded by flowers with intoxicating scents. And came to my ear the famous choir of St Matthew Passion by Johann Sebastian Bach that we sing tomorrow at the office Friday. I could have stayed there all night, so full in this silence, facing him, totally present and both painfully so far. And those words resonated within me ...

"Mache dich, mein Herze, kidney,
Ich will Jesum, selbst begraben.
Denn er soll
nunmehr in mir
Für und für Seine
süsse haben.
Welt, geh aus, lass Jesum ein! "

Sunday, March 29, 2009

Explain Complementary Therapies

Look I Killed the Man Who Breaks

Un corrido Chanté par Mestre Waldemar enregistré sur le CD avec Master Canjiquinha.

EE EE, Look man I killed
EE EE
In jail I will not,
EE EE EE EE
, Behold the man I killed
EE EE
was fine disordeiro
EE EE
killer was fine
EE EE
tomorrow I'm leaving
EE EE
In this world of God


Traduction Look for the man I killed:

Voyez l'homme I killed


ee EE, See the man I killed
ee EE
I will not go to jail,
ee EE ee EE
, Behold the man I killed
ee EE
was a disturbing end
ee EE
end was a murderer
ee EE
tomorrow I'll go
ee EE
to the world of God (I will leave the earth)


To listen to the song, click here:


Monday, March 23, 2009

Honda Odyssey Front Licence Plate

Morning Prayer for Lent


Satisfy us with your love in the morning, we will be in joy and singing every day.

(Psalm 90.14)

Wednesday, March 18, 2009

Scope Mouth Wash If You Ingest

Send


"I'm walking backwards towards God, in Him I will fall over backwards"
Gustave Thibon

Congratulations On Your Engagement Messages

Truths

"Countries once rich in faith and vocations are now losing their own identity under the harmful and destructive influence of a certain modern culture. We see one who, having decided that God is dead, God declares him himself, and considers himself the sole master of its own destiny, the absolute owner of the world ... But when man eliminates God from his horizon, is he really happy? Becomes it really free? .. . can he not rather - as amply demonstrated by the chronic daily - that extend the arbitration power, selfish interests, injustice and exploitation, violence each of its terms? Ultimately, man finds himself more alone and society more divided and confused ".
Benedict

Hyundai Remote Starter Sante Fe

My freedom

D iscutant the other day with a lady - charming and considerate after all - sent by the Inland Revenue to understand my way of working, I realized how the consequences of my inner journey might seem incredible and bizarre in the eyes of people forced to remain in the system and to paste. The events of my private life, evolution (the word is wrong chosen but is the only one I think about now) of our world and my many hours of Desert, seem to confirm the validity of my choice, if they take me away any opportunity to get rich, let me know; to have a "position", gave me a deep peace, joy and the inexorable certainty of finally being on track, open to others. Listening. Available and serene. This freedom conquered my atavism, my shortcomings, my conformism. On my education and culture of my environment simply. But this freedom is not an end in itself, otherwise it would be selfishness. It is a way. She can watch the other day as he is and not through the distorting prisms. It allows me to approach every situation of my life with a look different each time. It is to renew every day, eternal struggle against myself. It carries much higher and more important than me, because it is the submission to the Other that conditions of freedom. A bid wanted, happy and active.
In seeking to explain how this felt, I found a nice text Rouet Father, our Episcopal Vicar, noted on his blog:
"Freedom is the most precious and least shared in the world of men ... It is primarily domestic. It should not be confused neither with liberalism or with the whim to do what I want when I want ... It is true and real in the form of a release. I do not free birth, I become ... maybe! It is this deep sense of being oneself, the experience of a self-development which includes my being and my life skills and relationship. It is never achieved once and for all. She is experienced not only in the openness to others, that in the consent to self and other. It is in the desert that I learn to love it because there is nothing that God and the immensity ... "

Monday, March 16, 2009

1 Page Wedding Program



Aillet Monsignor Marc, the new Bishop of Bayonne, Lescar and Oloron, was interviewed in the magazine "La Nave" about lifting the excommunications the four bishops consecrated by Archbishop Lefebvre in 1988 without papal mandate. Here is an excerpt of the remarks of Bishop Aillet on this topic:

"Without doubt the Holocaust denial of intolerable Williamson came they parasitize the decision of the Holy See, and I can not help thinking that 'they have served those who want to systematically discredit the Holy Father and to pose the suspicion about his intentions. [...]
But misunderstanding comes from ignorance that characterizes many of the faithful from the Vatican II, one wonders, forty years apart, it was actually received. That was the question posed by John Paul II in 2001 in his letter, the beginning of the new millennium: "In preparation for the Great Jubilee, I asked that the Church considers the reception of the Council. Has this been done? "It is clear that when the outcry that has greeted, including within the Catholic world, the lifting of the excommunications, it has all the more invoked the Second Vatican Council so incantation that it is often far in its implementation, the actual Council. [...] How
silence the open challenge that has sometimes imposed explicitly from pastors or theologians, constituted real pressure groups, which are among the leading advocates of the spirit of the Council on essential points of faith or morals Catholic, yet unambiguous recalled by the Council and the Magisterium Post-conciliar: I think the doctrine of Humanae Vitae (An encyclical promulgated by Pope Paul VI in 1968) on the natural regulation of births, indissoluble marriage, lack of access of women to the priesthood ministerial celibacy of priests, the sacrificial nature of the Mass, the real presence, the sacrament of penance and reconciliation, and so on. [...]
In addition, I am among those who ask us to be vigilant to clearly denounce all deniers: the Holocaust, of course, but also that of the Soviet gulags we have been accomplices by bringing the very least careless with the Communist Party or its derivatives trade union in the 70s, but that of the 220,000 children killed in the womb: future generations will they not entitled to blame us for our silence? "

Thursday, February 26, 2009

Wedding Invitations Vegetarian

"What is the fasting that pleases me? ... Is it not to share your bread with the hungry? "(Is 58.6-7)

he party who practice fasting should include fasting: he must sympathize with the man who is hungry he wants God sympathizes with his own hunger, he must have mercy, who hopes obtain mercy ... What we lost with contempt, we must conquer it by fasting; immolons our lives through fasting, because there is nothing we can offer to God is more important, as evidenced by the prophet when he said: "The sacrifice that pleases God is a broken spirit and the heart that is crushed and lowered God does not despise "(Ps 50.19). Offer your life to God, therefore, offer the sacrifice of fasting there was a pure offering, a holy sacrifice, a living victim who insists in your favor ...
But for these grants are approved, must then come mercy. Fasting does not bear fruit if it is not watered by mercy; fasting becomes less arid by the mercy that the rain for the earth, mercy is for the fast. Whoever fasts may well cultivate the heart, purify his flesh, tearing the vices, sow virtues, if it pays not the waves of mercy, he does not collect fruit.
You who fasts, fasting your field as he is deprived of mercy, you who fasts, what you pour in your mercy will reflect back in your barn. To avoid wasting by your greed, collected by your generosity. By giving to the poor, you give to yourself, for what you do not give to others, you will not get.
Saint Pierre Chrysologue
Doctor of the Church, who died in 451.

Tuesday, February 24, 2009

Playing Football With A Swollen Foot

A message of love and serenity

E n the first day of Lent, I would like to bring to readers of meek and humble of heart a message of joy and hope. For forty days, we can look at us, we see what is wrong or not enough, which should better go, what should be magnified, developed, amplified to better serve God better and love each other. The Little Singers of the Wooden Cross have a very touching song, beautifully played as always by the choir school and says all the love, all the hope and all faith as children of God must develop and transmit. These words say to those who are in pain and in doubt how much love is strong and how much they are loved. I do not know how you feel these images and this song moved me terribly and they told me my tears were of joy and bliss. It is my hope that you all were crying as joy and bliss, your hope and your enhanced expectations met.

Composed for the Centennial of the most formidable choir of France, a real school of faith that form since 1907 Parisian boys singing and music from a Christian perspective this song is a hymn to the vote, with the hope and Children, naturally good and supportive. Here are the lyrics:

Around the Earth For the past hundred years
,
States and voluntary
We defy time.
apostles and missionaries
A world in turmoil,
We reveal the mystery
By sublimating our songs.
Music Universal Music's finest,
one who has given so much, will survive for eternity.
It turns our heads, without ever stopping,
It is the soul of a party, a breath of freedom.
Whether in poverty,
Whether rich or powerful,
Whether the child of a war
Or the result of an oath,
We say serene
it is worthy of love, What same
after the end
There is a new day!
Music Universal Music's finest,
one who has given so much, will survive for eternity. Tomorrow dust
our voices rise,
Continuing our prayers, they say sing,
For humanity.

Sunday, February 8, 2009

Honeywell Thermostat Rth2310 No A/c

Gereba

A corrido sung by Mestre Waldemar on one CD he recorded with Mestre Canjiquinha.
Quebra Gereba, an expression used as an incentive to quebrar (break) the Gereba whose meaning is uncertain, since we can find the meaning of a hard nut, a piece of wood, of a beast or an erect penis!
There is also the word Jereb, which is a kind of black-headed vulture.
In all cases, when we sing this song in a roda, it invites players to tighten the game, not necessarily that they are fighting, but they deploy their skills in order to finish the game (one of capoeiristas ground for example!).
To make sense as close as possible to this expression, we use the French expression "Let's heat!"
Angola or Regional, this song can be interpreted in all caps classics (3 toques de Angola, Sao Bento de Bimba, the Benguela is not open to c kind of game!)

Quebra, Quebra Gereba! Quebra tudo
hoje, o que quebra Amanha?
Quebra, Quebra Gereba! Quebra tudo
hoje, nada Amanha quebra!
Quebra, Quebra quebra Gereba
tudo hoje, quem Amanha that quebra?
Quebra, Quebra Gereba!


Translation Quebra Gereba:

Let's heat!

Let's heat!
Break everything today, tomorrow what that break?
Let's heat!
Break everything today, tomorrow will not break anything!
Let's heat!
Break everything today, which will break tomorrow?
Let's heat!


To listen to the song, click here:

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The Brave Vilela

Long and interesting ladainha of Mestre Waldemar contained on one CD he recorded with Mestre Canjiquinha.
can distinguish the characteristic style of Waldemar (3 berimbau, 3 Pandeiros and no atabaque).
Vilela is a character from the barrel Pernambucano (north of Bahia state whose capital is Recife) as well as Lampião.
According to the book " HISTORIA DO VALENTE VILELA " Vilela, a native of backwoods Pernambucain, causing problems from her childhood. In ten years he killed one of his brothers. At fifteen, he killed two strangers. In his Dix_Huit years, he murdered his brother. Police pursued him but sees derroutée during three expeditions Qu'elle mene pour l'arrêté.
Finalement, ce sont des négriers Thurs if disposent à l'attraper. Ils encerclèrent sa maison, et ne fut pas uniquement tue grâce à l'Intervention de la femme du bandit. Vilela
sortit alors de la maison, suddenly.

eh!
Gentlemen, I beg leave.
Gentlemen, I beg leave, my good.
To tell them a story. The brave
Vilela, my good, I bring
always in memory.
avoided him fifteen years.
Where the song of victory.
Ali was a captain, my good,
A very bold subject.
I said in the Sierra Pie. Bring
Vilela tied.
Next day early.
marched to the place. Where
lived Vilela, the iaia
The people were taught.
He got there the captain.
sent to surround the house.
They surrounded the house there.
They were ready. Vilela
opens the door, baby.
By order of the Captain! You
today tâ Hence my right, straight to prison

Vilela was at home.
Without knowing any of this.
Because you go away.
will not bother me. Answer me
soldier, ho iaia,
Noon? Answer me
soldier
If you came to kill or die? The soldier
arrespondeu.
did not come to kill or die. Ta
wrong subject.
By order of the delegation, my good,
By order of the judge. You
now I realize.
Of the deaths that have already done.
"I here in the Sierra Pie,
have fought well in common!
For me who kills a hundred.
also kills one cent!"

buddy, Aquinderreis!
Aquinderreis camara eh!


Traduction O Valente Vilela
Le Valeureux Vilela

eh!
Mesdames, Messieurs, Je vous demande pardon! (= Je demande votre attention!).
Mesdames, Messieurs, Je vous demande pardon!. Tune in
vous une histoire contain. Celle du
valeureux Vilela O my friend,
I always remember. Avoid
for fifteen years,
because it will always be the song of victory.
There was a captain, my friend,
a person who was afraid of nothing.
He said "I go to the Serra Torta (Twisted Valley).
and I can bring Vilela attached!"
The other day, very soon, they walked
(the army) there! Where
lived Vilela, o iaia,
was the people who inquired.
Captain arrived.
and ordered the encrecler home.
They surrounded the house then,
and stood on guard.
"Vilela, open the door!", O my friend.
"by order of the captain!"
"Today you go," my friend,
"directly to jail!"
Vilela was at home,
without knowing it.
"Why do not you leave?"
"Do not come bugging me!"
"answer me soldier", ô iaia,
"do you prefer to kill or die?"
"answer me soldier
if you came to kill or die?"
The soldier replied:
"I have come neither to die nor to kill!"
"You are mistaken sir,
by order of the commissioner, my friend,
by order of the judge,
you will have to report today.
of dead you have already done "
" For me in this valley,
fighting is common, for me
who kills Cent
might as well kill a Hundred! "

Camaradinha, Aquinderreis!
IE Aquinderreis camara!


To listen to the song, click here:

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Open Eyes Siri de Mangue

ladainha One of the many listed on the single CD Mestre Mestre Waldemar registered with Canjiquinha.
Siri Mango is the name a small freshwater crab, found in a vegetation called Mango (Mangrove in French).
This small crab is Quick is a tendency to hide in the sand because it is very shy. Siri
Mango was also the name of one of the Mestres of Waldemar. This song appears
be as much a ladainha nostalgia and homage to one of the Mestres a way of saying "Today the weather is bad, small crab (young capoeirista?) Spas you will not trap in the grips of big crab (a capoeirista most experienced?)


IE! abra os olhos Mas
Siri Mango.
Abra os olhos Siri Mango.
Todo tempo não é um
tidal março, O meu bem.
É Tidal guaiamum.
Between large e Pequenos.
Hoje não Escapa um. Siri is
tâ Prendo sô, O meu bem.
Na presa Guaiamum do.

Camaradinho!
Aquidenrreis !
Aiaiaia!
Aquidenrreis!
Lalila Lalala!
Aquidenrreis

Abra os olhos Translation of Siri Mango:
Open your eyes Siri Mango

IE! But open your eyes
Siri Mango.
opens eyes Siri Mango.
every moment is not unique
The tide of Mars, my friend is the tide of
Guaiamaum (Big Fat crab claws like cake).
between large and small. No staff
escape today. The
siri will trap alone, O my friend, in the grips of
Guaiamum.

My friend Aquidenrreis! (Corruption aqui el Rei, from the expression ACUDA aqui el Rei (here's Help Roit). Previously the term was used to ask for help, the King is supposed assumed to be the only person able to help and are still protéger.Il qulques old in the state of Bahia who call for help by shouting "Aquinderreis (Help, the help ...)."
Aquidenrreis !
Aiaiaia!
Aquidenrreis!
Lalila Lalala!
Aquidenrreis


To listen to the song, click here:

Thursday, February 5, 2009

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When I Die (Master Traira) When I

Here is the version of the ladainha Quando Eu Mestre Morres by milking.
Cordão de Ouro is supposed to be a companion Besouro Manganga in Santo Amaro da Purificação, Bahia, Brazil.
Another version claims that it was one of the nicknames Besouro.
ladainha This was used as a song for the movie Cordão Ouro out during the years 70retraçant a way of life jorge (one can think of an analogy with Besouro, whose name was Manoel Henrique Pereira), one (capoeirista ) rebel slave fuyant le Canavial (Champ de canne à sucre) et les rejoindre trying to quilombos avec les Masters Leopoldina, Nestor Capoeira et autres between shirt.

eh!
When I die, I will not cry and no mystery
When I die, I will not cry and no mystery
Want a berimbau playing

At the cemetery gate and a yellow ribbon, hi
Yaya Recorded with her name
And even after dead hello my God
Beetle Gold Cord

eh, How do I call?
Cord Gold!
What is my name?
Cord Gold!


Traduction When the had Morris:
When I die!

IE!
When I die, I will not cry, no mystery!
When I die, I will not cry, no mystery!
I want a berimbau toque
at the cemetery gates
And a yellow band, oi Iaiá
with sound ("It," a woman?) Name written on it
And even after death, O my God
Besouro Cordão of Ouro

IE, my name?
Cordão de Ouro!
What's my name?
Cordão de Ouro!


To listen to the song, click here:

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Die

A ladainha sung by Mestre Moraes on CD "O tempera Dendê CGAP.
ladainha This is inspired by a Chula Samba de Roda santo Amarense allegedly written by Besouro Manganga. Mestre
Milk has created a similar ladainha with Cordão de Ouro, which is believed he was a great friend Besouro Manganga.
Other versions say that the two were one and the same person.
Baden Powell took over the Samba de Roda match (see sections Lapinha Samba de roda) and Mestre Jogo Dentro do Pelé da Bomba and sing the same Chula on their CDs.

IE!
had Quando morrer, não quero cry and no mystery
When I die, I will not cry and no mystery
Want a berimbau playing

At the cemetery gate and a yellow ribbon, hi
Yaya Recorded with her name
And even after his death, hello my God
Beetle Gold Cord

eh, How do I call? It
Beetle!
What is my name? It
Beetle!


Traduction of When I Die: Quand Je
Mourrai!

eh!
mourrai Quand je, je ne veux ni cri, ni mystère!
mourrai Quand je, je ne veux ni cri, ni mystère! Je veux un
Berimbau Autoquant software
at the cemetery gates
And a yellow band, oi Iaiá
with sound ("She", a woman?) name written on it
And even after death, O my God
Besouro Cordão Ouro

IE, how I name?
Besouro!
What's my name? It
Besouro!


To listen to the song, click here:

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Gold Tooth

A ladainha found on the CD and Canjiquinha Mestre Waldemar, a treasure for Capoeira. Mestre
Canjiquinha is called "the joy of capoeira," for its festive side, is also the name a book he wrote.
is one of the first to incorporate Mestres atabaque Bateria de Angola in the modern instrument that it gave strength to the games during demonstrations. Mestre
Canjiquinha recorded his CD with Mestre Waldemar, the cap of the CD is typical of what quedavaient be Rodas de Mestre Waldemar in his shed because his bateria consisted of 3 and 3 pandeiros berimbau.
Canjiquinha Mestre is the inventor of the toque Samango and the game of the same name and toque Muzenza (see articles section toques).

IE!
O macaco eo Leão,
O macaco eo Leão,
Fizeram combinação!
O macaco na Levada,
Two lion ran a hand! Mariposa
not trap me,
Within your heart!
You have gold teeth, that I was sent
put!
I'll place a curse
Pr'esse tooth is broken! Hey
aquinderreis
Ê, aquinderreis, buddy! Ê
but lively chorus
Ê but lively choir, buddy!
Viva Bahia
Ê, live Bahia, buddy!
Ê, around the world
Ê, around the world, buddy!


Traduction of "Gold Tooth"
en La Dent Or

eh!
The Monkey and the Lion,
The Monkey and the Lion,
passed an agreement!
Monkey passing
took the opportunity to take advantage of the Lion! Butterfly
do not take myself,
in the nets of your heart!
You have a gold tooth,
's me who you're sent to do!
I'll cast a spell (in Portuguese "to beg that you get a wound!)
so that the tooth is broken!
Ei aquinderreis
Ê, aquinderreis, friend! Ê
, but long live the choir! Ê
, but long live the choir, my friend!
Bahia Cheers!
Ê, lively Bahia, friend!
Ê, around the world!
Ê, tour du monde, l'ami!


Pour écouter la chanson, cliquez ici:

Saturday, January 31, 2009

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Transfiguration by Duccio di Buoninsegna.

Wednesday, January 28, 2009

Stressed Out Wanting To Cry

Waterfall Muritiba

Une Litany of Pele Master Pump sur le disque de l'ABCA "Silk Scarf" (foulard soie) dédiée aux villes de l ' intérieur de l'état de Bahia.

eh!
Waterfall Muritiba,
Waterfall Muritiba, Oh my god,
Sao felix, Sand bank. Tâ
My Ship stranded
Oh My God, In the mouth of a whale. Tâ
My Ship stranded
Oh My God, In the mouth of a whale.
Waterfall Muritiba,
Waterfall Muritiba, Ai me god,
A bank of sand. Tâ
My Ship stranded
Oh My God, In the mouth of a whale. Vous
up to Cruz das Almas, I'll go to
are Philip
the other side is San Antonio,
Oh my God, San Antonio de jesus!
I'm going down To Sao Felix,
Oh my God, where the saint tâ the Cross
buddy

And time is time!
eh, it's time, time, friend!
eh let's go!
eh, let us away, friend!

Traduction Waterfall, Muritiba: Ce sont deux
noms villes de l'interieur de Bahia. (Waterfall kick signifier aussi d'eau, cascade).

IE!
Cachoeira Muritiba,
Cachoeira Muritiba, O my God,
Sao Felix, Sandbar (this region is made up of rivers and sand banks). My Ship
failed
Oh my God, in the mouth of a whale. My Ship
failed
Oh my God, in the mouth of a whale.
Cachoeira Muritiba,
Cachoeira Muritiba, O my God,
a sandbank. My Ship
failed
Oh my God, in the mouth of a whale.
I'll climb (a hill) to Cruz das Almas (Souls of the cross, a city of the interior of Bahia),
I am going to Sao Filipe (still inside of Bahia, all these cities are close),
the other side is Santo Antonio (St. Anthony Microregion of Jesus )
Oh my God, Sao Antonio jesus!
I'm going down to Sao Felix
Oh my God, where the saint is on the cross, The Friend


The time has come!
ie, the hour has come, friend!
IE, we're going!
IE, let us, friend!


To listen to the song, click here:

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In Ladeira do Pelourinho, I've also I played it! When I arrived I

A ladainha Master to Whiskers on peut l'retrouvé sur le CD de l'association Association of Brésilienne Capoiera Angola, silk scarves (foulard soie).

Iê
On the slopes of Pelourinho,
I also played it already!
And coming up, I asked, my friend! At
Master Place!
Pastinha arose, my colleague,
came with me to talk!
I have not yet started, my colleague,
That the masters' so to arrive! Ja came
Your Zacharias, and arrived
Traira master, my colleague, I miss the Master
Waldemar
buddy,

And Time, and Time!
eh, it's time, it's time camara! And
Galou Sang!
IE Galou Cantou, camara!
cocoroco IE!
cocoroco IE, camara!

Translation Na Ladeira do Pelourinho, Eu tambem ja Joguei the:

I also already played in the rise of Pelourinho:

IE
In the rise of Pelourinho,
I've been there too Play!
arriving, asked me at, my friend!
Where was the master of the house!
Pastinha stood up, my friend, and came
converse with me!
I have not started yet, my friend, Mestres
that are already happening!
Mr. Zacharias is already there, Milk also came
Mestre, my friend, that he lacked
Mestre Waldemar
L'Ami,

It's time, it's time!
IE, it is now, it's time, my friend!
And the cock crowed! IE
the rooster crowed, my friend!
IE crowing!
IE crow, my friend!

To listen to the song, click here:

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A ladainha Mestre Joao Pequeno sung by Pastinha of the last keeper of tradition with Mestre Joao Grande Pastinha.
We note that the pace has nothing to do with the current caps la Capoeira Angola, car ce sont les touches Antiques Sao Bento Pequeno Grande et sont respectivement Thurs joués par le et le Medio Gunga. Il ya beaucoup
to auprés apprendre de ces Master Qui pourront vous raconter les histoires de l'époque du antiques Master Pastinha.


eh!
When I arrived here!
when I arrived here!
Everyone I come to praise! I came to praise God

First inhabitant of this place!
Now I'm singing,
Now I'm singing, Singing
, giving praise!
'm praising Jesus Christ, why
blessed us!
I'm praising, I'm begging
I'm praising, I'm begging
the father who he created us,
Bless this city with all its residents and
Roda capoeira players

bless buddy, that'll do?
camera that will do eh?
Hi, Hi, Hi to Capoeira!
Iê with capoeira camara!
Hi, Hi, Hi, I know how to play!
camara eh knows how to play!
Hi, Hi, Hi Joga here for you!
it from here eh, friend!
Hi, Hi, Hi here to play ca!
Iê cca from now, friend!
Hi, around the world has!
Iê mondo gave the camara!
Hi, Hi, Hi, that's mondo!
IE as o mondo da, camara!

translation Quando Eu Aqui Cheguei:

When I got here:

IE!
When I got here!
When I got here!
To all I came Praising! I came
send praises to God,
Prime capita these places!
now I sing,
now I sing, I sing
giving praise!
I make lounages to Jesus Christ, because he
has blessed us!
I praise and supplications I
I praise and supplications I
the father created us,
bless this city with all its inhabitants, and
in the roda of Capoeira, Bless players

Friend, what you gonna do?
IE, what you gonna do my friend?
Oi, Oi, Oi with Capoeira!
IE, Capoeira with my friend!
Oi, Oi, Oi, do you know play?
IE you can play my friend?
Oi, Oi, Oi plays here!
IE plays here, my friend!
Oi, Oi, Oi plays that way!
IE plays there, my friend!
Oi, around the world has done!
IE around the world did my friend!
Oi, Oi, Oi, around the world is doing!
IE, around the world is doing, my friend!

To listen to the song, click here:

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Friday

A corrido sung by Mestre Lua Rasta much in the style of Bahia Capoeira Street, filled with good energy, oriented, and with good pace Sao Bento Pequeno Grande or from Angola and Agogo unleashed. We leave
formalizations traditional Capoeira Angola and Regional Capoeira to return to the original that preceded the era of Mestre Bimba or Pastinha.

A sexta feira, ele sobe has ladeira
to go and play in the farmyard poultry

The Friday, he climbs the hill
to go and play in the farmyard poultry


Every Friday, he climbs the hill
to go and play in the farmyard poultry

The sixth Monday, he climbs the hill to go
it in the yard playing capoeira


has Maracatu, Samba de roda, amaredeira (???),
has Bumba meu Boi, Capoeira Angola

The Friday, he climbs the
hill to go and play in the farmyard poultry


Traduction A Friday:

Les Vendredi Le vendredi

, il la rue reassemble
pour rendre if the terreiro (ground or sanctuary Candomblé) to play Capoeira

On Friday, he goes up the street to get to
terreiro to play Capoeira


Every Friday, he goes up the street to get to
terreiro to play Capoeira

On Friday, he goes up the street to get to
terreiro to play Capoeira


ago Maracatu, Samba de roda, amaredeira (???),
ago the Bumba meu Boi , Capoeira Angola

(all are popular dances or gatherings Nordestin (s)

On Friday, he goes up the street to get to
terreiro to play Capoeira


To listen to the song, click here:

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Reality Bimba and Pastinha

A strange song whose meaning is difficult to grasp, chorus Ca-ango lets consider two possibilities:
-Calango The first is a sort small lizard, a snake common in Brazil.
caiango The second is a kind of entity known as Candomble and folk beliefs, like the bad part of us.
There is an expression that says "let's ca-ango home!, Ie leave all his bad energy at home to enjoy the people you will meet in the street and do not spoil this la vie. Une belle
Chula remplie of Axe Thurs beast if bien sur les Rythmes de la Capoeira Angola.

Ca-ango/Ca-anga hi is
Ca-ango

You say you know everything you know anything more

who knows and is Bimba Pastinha
who died and the name stuck in the parade

Ca- ango
Ca-ango/Ca-anga hi is

Who was it who painted the zebra
invernizo cockroach
who gave birth in nagalume
and who painted pecarta

Ca-ango
Ca-ango/Ca Hi-anga is


Traduction Reality of bimbo and Pastiha:

La réalité et de Bimba Pastinha

Ca-ango/Ca-anga oi e
Ca-ango

You say you know everything, but
you know nothing
Those who know are Bimba and Pastinha
who died and whose name is remained etched

Ca-ango
Ca-ango/Ca-anga oi e

Who painted the Zebra
Who varnish Cockroach
quia given light at nagalume (????)
and painted the sign

Ca-ango
Ca-ango/Ca-anga oi e


To listen to the song, click here:

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Mason, Thunder and Cesar

Also in the album Gaje Mestre, Chula tells how this was before its formalization capoeira by Mestre Bimba and Pastinha.
Previously, there was no Mestre in the sense that the academies as we know them today did not exist. There were
capoeiristas that from time to time, taught to their relative or friend, how to Besouro Manganga with Cobrinha Verde.
Capoeira was a popular gathering where they sang, danced and amused, there come the words "Vadiação (have fun partying) and Brincadeira (Fun), related games Capoeira.
obviously this song is knocking on the São Bento Big or Little Angola.


They arrived a few years ago in the poultry market

model but they did not even know
sing no more they do not even know how to play
and neither knew playing

Mason, Mason
Boy thunderstorm
bricklayer Mason
to la la la there


Traduction of Mason, Thunder and Cesar:
Mason, Cesar et Orage (Ce sont certainement d'anciens ds surnoms capoeiristas.

Ils arrivèrent Quelques années il ya, dans
la capoeira du
market model to more savaient peine ils chanter
more savaient to ils just knocking (playing music)
e knew so little play (Capoeira)

Builders, Builders
Gamin Storm!
Builders, Builders
para la la la la


To listen to the song, click here:

Congratulations On The Arrival

The VALET

A Chula showing the pace of life typical of poor Brazilian families where husband and wife work biscates of (working on the thumb, not stated), usually are many families here man sells fruit at the fair while his wife is a maid.
Usually they kill themselves for the task gagner peu d'argent, le rapport à la Capoeira dans cette chanson est simple: auparavant, on Advaita beau être Capoeira, la vie nous car il n'y rattrapait toujours pas de quoi Advaita en faire un métier (au Brésil) et il fallait toujours travailler dur to côté. Cette chanson
Passera mieux sur un rand or Sao Bento Pequeno de Angola.

Ca ca ca ca ca ca
capoeira capoeira
I saw a man selling oranges at the fair (a)
his wife have ten children and it's valet (a)
picks up the can of water and rocketing to the slope
not know way to play
ca ca ca
ca poultry
gave me fatigue ca ca ca
ca poultry
rise ladeira

Translation A Lavadeira

The Washer

Ca ca ca ca ca Ca
capoeira capoeira
I saw a man selling oranges at the Fair (bis)
His wife and son is ten Washer (ea)
she takes a bucket of water and up the street
I do not know how to play
ca ca ca
AC capoeira
it tires me ca ca ca
AC capoeira
back of this Street


To listen to the song, click here:

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Tootles is

Also in Mestre Gaje album, a song that extols the merits of different wood for the berimbau.
In the end, we realize that wood is the favorite in Bahia Biriba, a soft wood and fiber length in giving it flexibility, strength and ability to transmit the vibrations of the wire at the Aram calabash vibrate.
Despite its simplicity, making a good berimbau is a complex art that requires the skill and heart to work so that the axis incorporates the instrument. Chula
This is for a large Sao Bento de Angola. The

the the the the
La la la la la
The the the the the
La la la la la
The the the the the
La la la la la

Maçaaranduba
was in Rosewood Wood was in
Maçaaranduba
Wood Rosewood

Tootles is pear wood
Tootles is to play
Tootles is the stick is wood
Tootles is to play

Tootles is pear wood
Tootles is to play
Tootles is the stick is wood
Tootles is to play



Traduction of Tootles is for Play:
Le Tootles est fait pour Jouer (de la musique ):

reads reads reads reads reads
La la la la la
Read on the web out the
La la la la la
The the the the web out
La la la la la I was

Maçaranduba (neighborhood of Salvador de Bahia, but also the name of a timber used to the berimbau, the atabaque and drums to age Cachaça)
Jacaranda Wood (another wood to make berimbau)
I was Maçaranduba
Jacaranda Wood

Biriba and Pau Pereira (Pau Peireira is another wood used the factory berimbaus found more in the interior of the country, in the state of Minas Gerais)
é para tocar Biriba
Biriba is wood, is wood (pau = piece of wood, madeira) wood sounds together)
é para tocar Biriba



To listen to the song, click here:

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To Play The Market Model

A little session with the correct axis A good street capoeira Mestre Baiana and Gaje and his group "Grupo de Capoeira Pelourinho Mercado Modelo e". Agogo
A raging, breaking the monotony by its rhythm, percussion discrete but changing, and a good Sao Bento Grande de Angola to complete the Vadiaçao.
A song in tribute to the past and the black slaves who were sold or that the Mercado Modelo onttravaillé as sellers cachaça, sugarcane, cotton and many other local products. Today
the Mercado Modelo is a place of sale to tourists and has lost some of its authenticity of yesteryear, o find a kindred spirit of what might have existed at the time of the Mercado Modelo, it is good come to the feira de Sao Joquim later after the terminal da França in Salvador de Bahia in the direction of the Igreja do Bomfim, at the foot of the hill where the area of Pero Vaz.
A special local atmosphere but worth to be seen, where it is better to go with a local.
To cap a good Sao Bento Grande de Angola is needed to keep the Axis.


Quando chego no mercado modelo, modelo
tá perto do Amanhecer
Muita gente já tem me esperando
perguntando Negao that vai fazer;

had respondo:
Eu sou capoeira e batuquege (bis)

Pra lala
La la lae

Aue
La la lae


Translation Mercado Modelo:

Market Model (popular market where slaves were sold and other commodities at the time of the slave ).

When I come to market model, model
The sun will soon rise
There are already many people waiting for me
asking, "Hey Big Black (fraternal phrase), what you gonna do?

I said to them: I am
capoeira (at that time, capoeira was a slave who sold chickens carrying the animals in a basket of chickens called "Capoeira", name of the basket was combined with that bore the basket) and batuquege (name of an African ethnic group) (aa)

practice La la lala
lae
Aue
La la lae


To listen to the song, click here:
A Quadra

Tuesday, January 27, 2009

Chicken Pox On The Legs Only

Palma De Bimba

Itapoan sung by Mestre, a student of Mestre Bimba Capoeira Ginga Group.
A simple song in honor of Mestre Bimba and classic rhythm in which one claps his hands in his rodas.
Toque on the fort and hostile Sao Bento Grande de Bimba, one is in Capoeira Regional hardline (1 Berimbau Pandeiros and 2).
This song can be interpreted in a Sao Bento Grande de Angola, even if it is not destiny.

Palma de Bimba

A palma estava Erradi
Bimba parou Outra vez esta
Bata palma palma direito
A Bimba e um, am, very
Olha a palma de Bimba

And one, two, three

If you and a devotee of Bimba
In the wheel it will help you
But if not, and rushes
That wheel is open, and the animal will get
And the palm and a Bimba , two, three Look at the palm of
Bimba

And one, two, three

The court was wrong
Bimba stopped again
Sing this block right
Palm Bimba and one, two, three Look at
Palm Bimba

And one, two, three

The Iuna wrong
Bimba spoke again
Not matrate this art kid
And the palm of Bimba and one, two, three Look at the palm of
Bimba

And one, two, three A ginga

estava Erradi
Bimba parou Outra vez bonito
O ginga moleque
E palma Bimba e um, am, very
Olha a palma de Bimba

E um, am, very

A Translation Palma de Bimba:

" Rhythm (whereby it clap your hands) by Mestre Bimba "

Rhythm (beaten by hands) was false
Bimba stopped (the game, the roda) again
Hit this rate as it is in the hands
And you hit one, two, three plays
hands hit

And one, two, three

If you are a devout Bimba in
Roda it will help you,
But if you do go out are not running because
Roda is opened and the animal will receive (a Brazilian term for saying "you'll morfler)
And in the hands is Step one, two, three plays
hands hit

And one, two, three

The quadra false
Bimba was stopped again this quadra
Sing it right into the hands
And you hit one, two Three plays
hands hit

And one, two, three

The Iuna was false,
Bimba spoke again
kid does not injuring the art, in the hands
And you hit one, two, three
listening hands hit

And one, two, three

The Ginga was false
Bimba stopped the game again
Gamin Make an effort to properly Gingues
And in the hands you type one, two, three
listening hands hit

And one, two, three


To listen to the song, click here:

Saturday, January 24, 2009

Athletes Foot Red Dots On Foot

How prompt is discord

Again, and a sensitive, modern man - and the media - it says everything and anything. The Holy Father, faithful to its commitment announced at the outset of his pontificate, to put an end to the largest schism in the Church since the Reformation, has canceled the four excommunicated bishops that Archbishop Lefevre had spent in opposition the rules of the Catholic Church. This gesture was immediately contested part of this desire for unity within the Roman Church. How to live the unity of Christians, though in his house we disunited? It's not for nothing that this measure is formalized when the Christian churches pray together on Unity and Ecumenism. Immediately
of Whiners relayed by other malicious or deflected by giving food to the public of the pope and the Roman Curia, seen by them as a group of traditionalist conservatives and obscurantist, and thus dangerous for the time libertarian and decadent in which we live. Remember that for many intellectuals, he is forbidden to forbid.
When, in addition, one of the revisionist bishops take it that wakes the fury. Yes, the schismatic bishop English think that there was no gas chamber. He does not deny the Holocaust, he thought, personally, that gas chambers never existed. It is the opinion of a man and not a reflection of the thought of the Church. Certainly not the thought of Benedict XVI. I even heard someone say "is normal, this Bavarian pope is, he can not hide his natural sympathies." is an outrage to hear that.
As it is a scandal for those who have family members missing in the camps to hear a man of God say that the final solution is an invention of the Zionists and Marxists. But dammit, we can not accept this political correctness that prohibits expression of any opinion hostile to Jews. This people, elected by God, our brothers, was martyred by Nazi Germany, as before in Tsarist Russia. It is an undeniable fact and an incredible scandal that we all, whether we like it or not, some responsibility. But should we equate provided the words of a man, even to church, to the profound thought of the institution and its leader, the pope?
Cancellation of excommunications that John Paul II had said because it was the only tenable position for the Vatican at the time, only proves that things have changed today. The pope is not a man to act without reason. His approach makes sense: bring unity within the Roman Church. Close ranks and end the scandal of separation. Great strides have been made. It was a gesture to end the schism. Unfortunately, the traditionalists among them many faithful who have learned nothing, nothing forgotten. People for whom the past is the truth and refuse to block democracy, secularism, republic, ecumenism and who see churches as instruments of Satan. We must pray for them with compassion and regret that their thinking cramped spreads from generation to generation ...
Delicate problem. Delicate subject.
If I disagree with the mind of the bishop "denialist" if I am a follower of Vatican II, I am also convinced of the infallibility of the successor of Peter and I trust his intuition and I believe it is good to bring the scattered sheep. To further sow the Good Word, without discord or resentment.
When the prelate who said loud and clear convictions, why associations of deportees and families of the victims they not faze a lawsuit against the man, instead of letting the press - and public - of intent to sue to Benedict XVI?