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La Vim Da Bahia to see

a song performed by the instructor Faisca school Capoeira Me Leva / Nanterre.
The song that can not sing that habituellement le refrain est un classique de Rodas de Capoeira. Chula
Une agréable et nostalgique Thurs retrace tout le chemin le that Capoeira (et les capoeiristas) ont fait travers le monde pour the arriver between the mains, dans pays us.
The chanter sur les Rythmes de Angola or Regional.

Vim da Bahia la
I came to see you in la Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it I came

la Came from Bahia
you see it I came from Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it

Tava it on top of the stream
In Bahia, the land is of axé
My mom is a great valet
My father taught us the coffee harvesting basilicum

I came I came her from Bahia to see it
Vim da Bahia
I came to see you la Bahia to see it to
Watch him to see it
to see it to see it

raft came to Rio in January
In the land of Salome and St.
Dei pro fisherman a good blood Blessing
pro Capoeira came here so you see it

Vim from Bahia to see it
Vim da Bahia
I came to see you la Bahia
to see it to see it to see it
to see it to see it

Arrival at Rio de Janeiro
earth with genial climate brought
reminder for you
a conga drum and a tambourine and a berimbau also Tross

I came I came from Bahia to see it
I came from Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it

To Bahia da Guanabara
Facing the Christ Redeemer
gave me the hunger I ate sugar Pao
Went to Barra da Tijuca just to see my love I came

Vim la Bahia
I came to see you in la Bahia to see it
Vim da Bahia
to see it to see it to see it
to see it to see it

To see it, to see you, to see you , to see you, to see you
To see it, pra lhe ver, pra lhe ver, pra lhe ver, pra lhe ver ...

Translation Vim da Bahia The LHe Pra Ver:

I came here from Bahia to see you


I came here from Bahia to see you
I am here for you to Bahia
see I came here from Bahia to see you
to catch you to see
to catch you to see, I came ..

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see

J 'props on the set of Ribeaira
in Bahia, the land Focused filled
My mother is a great washer
and my father taught us the coffee harvest, I came ...

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see

A boat went to Rio de Janeiro Earth
Salome and St. Como
I gave a blessing to the seaman,
the capoeira of Bahia that has come to see you, I came ...

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see

Arrive in Rio De Janeiro,
Earth where the climate is fantastic
I've brought back a souvenir atabaque and a pandeiro,
I've also brought a berimbau, I came ...

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to catch you to see
to catch you to see

stop on Guanabara Bay opposite
of Christ Redeemer
hunger I ate the sugar loaf (famous hill in Rio de Janeiro) had come fome me dei o Pao de Acucar
I went to Barra da Tijuca, just to see my love, I came

I came here from Bahia to see you
I came here from Bahia to see you
I came here from Bahia to see you
to see you
to see you to catch you to see

to see you, for you see, you see, you see, you see
to see you, for you see, you see, you see, see you ...

To listen to the song, click here:

The Song Zack And Cody Wrote

Mandel Benzer

A rare thing done by the Mestre Axé Capoeira Grupo Barrao of Recife, to songs from her album as a music video. For
curious tourists, the clip was filmed entirely in Pernambuco recife which is the capital and the buildings shown are the church of Nossa Senhora da Conceicao in Vila Velha (Old Town), on the island of Itamarica in the state of Pernambuco at the foot of the second oldest church in Brazil and the Sao Bento Monastery located on the heights of Olinda in Pernambuco.
The song tells the story of a capoeirista which the steel wire of the berimbau (Aramis) keeps breaking whenever the gun and hat.
Superstitions between capoeiristas suggest that the string breaks when the energy that surrounds the Berimbau est mauvaise. Ainsi le
Capoeirista mild son au sein d'une berimbau AFIN qu'il soit Béni chapelle et le berimbau Protège et son utilisateur de toute forme bad or mauvais oeil. Une chanson très
évocatrice, dont un sur le ton Enjou Sao Bento big apporter un bon Regional Axé.

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,
Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,

Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel, I played my

berimbau, when the wire broke and was a sign
bad thing plus I do not want to believe,
every time I touched the berimau, the wire back to break. I took my
berimbau, a chapel to be blessed, and ask for St. Benedict came to protect me from evil, sent ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,

Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,
Mandel ...

Mandel, Mandel Mandel Benzer
bless my berimbau in the chapel,

i asked St. Benedict, blessed

i asked Benedict,
save
i asked Benedict,

bless my berimbau I'll play ...

Traduction of Benzer Mandel:

J'ai envoy bénir

J'ai bénir envoy, envoy bénir
J'ai mon Berimbau dans une chapelle, et je l'ai
envoy ...

J'ai bénir envoy, envoy bénir
J'ai mon Berimbau dans une chapelle,
et je l'ai
envoy ...

J'ai bénir envoy, envoy bénir
J'ai mon Berimbau dans une chapelle

Je touch Berimbau when my wire broke
Aram was the signal of bad things (to come, but I did not believe it every time I
a toque berimbau, the Aram broke again so I
took my Berimbau in a chapel to bless him, and ask to St. Benedict to come protect me from evil,
and I sent it ... I sent

bless, bless
I sent my Berimbau in a chapel

and I sent it ... I sent

bless, bless my
I sent in a chapel Berimbau

I sent bless I sent my
bless Berimbau in a chapel,
and I sent it ...

I sent bless, bless my
I sent in a chapel Berimbau

I asked Saint Benedict, Blessing of

I asked Saint Benedict,
of (I ) Keep
I asked Saint Benedict, Blessing of

O Berimbau I knocking my ...

To view the clip, click here:

Steam Washer Worth It?

Wind scale sugarcane in Canavial

A song Written by Abada Capoeira Caixas Group, whose rhythm evokes nostalgia and pain experienced by slaves in Brazil, despite a sound rudimentary, there is a perceived atabaque very présentqui just the soufffrance rhythm of this song we listen as a lament. A toque
Benguela Abada style is best suited for this kind of song, even if it meant the end of a passage on a Sao Bento Grande da Regional.
Obviously a large Sao Bento de Angola clocked is not excluded for this kind of song.

Vento that rocked Canadian No Canavial

Vento that has rocked Canadian No Canavial
Wind that shakes his cane at sugarcane

On the balcony of the big house
Colonel
rested on the network and the Negro in the cane fields
suffered from hunger and thirst


Wind that shakes his cane at sugarcane
Wind that shakes the cane reed

In the chapel of the farm would pray
Sinhazinha
draped income
kneeling at the altar


Wind that shakes his cane at sugarcane
Wind that shakes his cane at sugarcane

Foreman
awoke at dawn in A family of despair

slaves had escaped from captivity


Wind that shakes his cane at sugarcane
Wind that shakes his cane at sugarcane

Sinhozinho the yard
mistreat Ere
The slave in the kitchen
regretted doing nothing


Wind that shakes his cane at sugarcane
Wind that shakes his cane at sugarcane


Traduction Wind that shakes his cane in the cane fields:


Thurs Le vent la balance dans le champ de canne canne à sucre


Et le vent Thurs swing la canne dans le champ de canne à sucre
Et le vent la canne Thurs balance dans le champ de canne à sucre

Au balcon de la maison principale, le patron is
reposait in his hammock
while the Negro in his field of sugar cane,

And the wind that swings the cane in the field of sugarcane
And the wind that swings the cane in the field of sugarcane

In the chapel of the property,
the boss's daughter went to pray,
covered with a coat of lace
kneeling at the foot of the altar

And the wind that swings the cane into the cane field sugar
And the wind that swings the cane in the field of sugarcane

the cons MASTER
Dawn awoke from despair
a family of slaves fled their
cell

And the wind that swings the cane in the field of sugarcane
And the wind that swings the cane in the field of sugarcane
The son of the patron in the place of worship (worship of slaves Orixas )
abused a child (EE is the figure of an African religious orixa child)
A slave in the kitchen
complained of having nothing to do

And the wind that swings the cane in the field of sugarcane
And the wind that swings the cane in the field of sugarcane

To listen to the song, click here: