Karim Baggili sextet at the Orangerie of the Botanique, Brussels, 4 February 2011
A second showcase interviews in windy Friday.
L'Orangerie hosts Karim Baggili sextet at 14h! Small
queue and the second most seats, the jovial bald fed Dom Perignon and collar decorated with a red butterfly stamped Elio on stage for a burlesque number Houdini meets Benny Hill, cleverly DIY, then announces sextetto, led by the talented Karim Baggili.
There is a little over 15 days you saw the virtuoso of the oud and flamenco guitar to accompany Karoline de la Serna in Halle, the beautiful English vocals take charge while tapping a bombo pre-Columbian.
A flute: a clan member Laloy: the princely Philippe (Tricycle, Keane, Tangram, Traces, Ialma enz ...) - Cello: Kathy Adam (Pantha Rei-Duo-Quartet Spices Thai ...)-most Mexican percussionists Brussels, Osvaldo Hernandez cajon, cuatro and other gadgets hit hands and finally, Patricia Hernandez-Van Cauwenberge also cajon and bolas. The recent album
'Lea & Kash' (Homerecords) will be the cornerstone of the musical edifice erected in the early afternoon.
'Consejo del tiempo a instrumental Arab-Andalusian turning frigid northern winds in the balmy zephyr sweet perfumes of honey. Who did you steal
these romantic images, sukkeleir?
Lamartine or Virgil add you if a pinch of thyme.
But listen, little, stop arguing and leave you spellbound.
'Tanto Poco a subtle and dreamy vocal duet KK.
Elegance, precision, melodic smoothness: A trip to the precious confines of the East. A long intro
Arabic lute amid plaintive cello primer 'Lea & Kash', like other beaches, a soundtrack for a movie ever made, but rooted in the mind of Mr Baggili. Sounds
wadis, closed eyelids you see scrolling red sand, oleander and fragrant old date palms, water glass quivers in your resting place of the fresh mint leaves. The rhythmic
'Pay Cash', initiated by the cajon, taking you on the side of Jemaa El Fna in the Medina of Marrakech Berber musicians, tribal rhythms and transformed into Laloy pungi, charming cobras. Imaginary
Thousand and One Nights.
A stunning last title 'Poi', a waltz / flamenco sensual with the fabulous Patricia Hernandez under the spotlight for a demonstration of boleadoras frenzied. The bolas
hitting the ground at the same pace as the pounding feet of the dancer. A sensual choreography
Carmen, devilishly impressive. A concert
technically flawless and carrying a serious load of emotions.
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